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Rachel's Systema Writings >> Assorted Essays >> Falling and Rolling
Falling and Rolling
Edgar has told our class that rolling is "advanced...to intermediate skill." Most people find falling easier to pick up. But I think, to get
comfortable with the floor, take it back even further. Get on the
floor every day. It is immensely helpful to the muscles to roll
around on the floor, the way a dog might, using your hips and
shoulders to move yourself. Let on leg fall over the other, as in
a "4" shape, keeping the other leg straight and on the floor. Allow
gravity to move your limbs, let your hip or shoulder move your leg or
arm. Movement should originate from the center of the body, rather
than the outer limbs.
To be comfortable on the floor, you must have a certain psychological
mind-set. Groundwork, falls, and rolls reveal much that is hidden
during standing work. Some people are more relaxed on the floor, but
by and large, I'd say most people are more uncomfortable. Fear and
tension will make any contact with the floor uncomfortable. Letting
go of fear is a leap of faith. You have to trust that your body will
protect itself. It will, if you do not interfere with natural
function.
Systema falls are a skill that we all learned during our first few
classes; Edgar considers it important for safety. With one hand on
the back of your skull to protect it, slide into the ground, like
sliding under the bedclothes, "like fabric," Edgar says. He uses a
stick and slides it along the floor until it is parallel and flush,
to demonstrate. I explain to newcomers that it's almost like sitting
down with one leg held straight, the other bending as low as
possible. Usually, we keep our legs flat and flush to the ground
after we fall. This allows you to use your legs more covertly. If
your legs fly up when you fall, it's tension in the lower body. Try
to use a wave-like motion during the fall, to let this tension ripple
rather than block movement. Kicking can be effective, but if you can
kick low, it's easier to avoid your partner catching your ankle
between his legs.
You shouldn't make much noise as you hit the ground. It's a soft
movement. In my opinion, acquiring this soft contact with the ground
is critical to Systema training. That contact with the ground must be
avoided is a mental barrier. It's fear, and as long as your movements
stem from a desire to avoid the floor, you'll be restricting your
range of motion, acting with a plan.
If you aren't comfortable going down to the floor, have someone push
or pull you from all directions. Practice on grass or sand if you are
uneasy, but move to a hard surface as soon as you feel comfortable.
There are other ways to fall, forward, backwards, sideways, but
obviously landing on your back is more strategic than landing on your
stomach. It is also less dangerous, your back has more padding, and
with the hand protecting the back of the head, and soft contact,
falls are perfectly safe.
Never struggle to avoid the floor. Accept it, for the ground will
always be beneath you; discomfort with going down will impede your
training. Also avoid struggling with your partner, resisting going
down. Slow sparring requires a certain amount of "playacting" as
Arthur Sennot described it. Unlike ordinary playacting, slow sparring
makes circumstances more, rather than less, realistic. A car can
execute a turn at 30 mph that it cannot perform at 80. We must keep
that in mind during slow sparring, and avoid thwarting our partner's
confidence by being resistant where we could not do so at ordinary
speeds. (I am paraphrasing Arthur's excellent article "The Slow
Sparring Game of Russian Martial Art.")
So that means no speeding up, and also no stopping. A real attacker
would not stop. Some people do this thinking it's making it easier
for their partner. In fact it's making it more difficult, unless the
exercise specifically calls for it, follow through with the attack.
And do not hold yourself a few inches off the ground when an attacker
moving at full speed would have knocked you cleanly down. Respect the
rules of the slow sparring game, in order to get the most benefit
from this excellent training tool.
Most people are comfortable with falling after a few months, however,
some people are naturally relaxed and take to it right away.
Naturally relaxed people have an advantage over more tense newcomers.
They have one of the fundamentals down "pat." It's the hardest
fundamental to train yourself into. Form, breathing, movement, these
can be "learned." Relaxation has to be "felt." I do wish there was a
way to mentally "relax" people but it must come from within. In my
very limited experience, discomfort with the floor is usually due to
fear, and this is overcome with practice.
An important part of falling is getting up again. You should aspire
to rise from the floor without using your hands or even your knees.
This is not as easy as it sounds. Slow squats help build the strong
tendons needed to rise in this way. I can't do it, so I just try to
get up using one knee. Rotating while falling, sort of spinning one
leg to fall in a circular fashion, helps me to rise more easily. I
also rise in circular way.
Rolling is a lot harder than falling, in my opinion. Try starting on
all fours. Think of yourself as a square, and drop one corner of the
square (your shoulder). Keep the arm straight and outstretched as you
drop the same shoulder. Tuck your head under the opposite shoulder.
The other hand can simply guide the roll, or move naturally out of
the way. Don't cross the spine; if you start on your right shoulder,
end up on your right side. Denis taught us to land on one side or the
other, never flat on the back. It makes it faster to get up again.
If you want to change direction mid-roll, instead of crossing your
spine, rotate your shoulders and hips. It's easier to learn how to do
this if your partner lies on the ground, stomach down. Roll toward
them, and change direction so that you land not on your back, but on
your stomach, across them.
You can also practice rolling from a flat position on your stomach.
Draw yourself upward, knees into chest, like an inchworm, and drop
your hips over. Don't push yourself into the roll, just bring your
hips up and drop them. You should be able to roll in a narrow space
in this way.
Instead of thinking of it as a roll, think of just "turning yourself
over" as you would in a swimming pool. Don't heave your legs over
yourself, instead, move your tucked head under your armpit and just
turn yourself inside out. You hardly need to put any energy into a
roll; gravity does the work for you.
Once you are comfortable rolling from all fours, move to a kneel.
This is no different from all fours; your feet are still on the
ground, and you simply lower your upper body a bit more from a kneel.
The next stage is rolling from all fours, but with your knees off the
ground, like an ape. I found this to be very scary. I have only just
gotten comfortable with this. What helped me was bringing my feet and
my palms close together, making an acute angle with my body, so that
all I had to do was slightly elevate and drop my hips over, and
gravity helped me into the roll. After that, rolling from a standing
position wasn't much harder, although it's still not very smooth.
You should eventually learn to roll from a walk, or from being pushed
or pulled in different directions. Edgar sometimes has us mill around
and drop into a roll when he claps his hands. But I still use my
knees for a roll from a dynamic position. I am very pleased with my
progress; it has taken months, but it's simply a matter of getting
over the fear, and that in itself is just a matter of time.
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